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| the Road to Bath 2016, oil on calico on canvas with resin |
Tuesday, 13 September 2016
Chosen for WAC 2016
Chosen for WAC 2016, Wells Art Contemporary
Friday, 26 August 2016
more high colour and shine
I have been asked to submit something for an exhibition called FEAST to co-incide with Wells Food Festival in October, at Heritage Couryard Studios. A combination of water melon and luscious tulips, scarlets, pinks and vibrant orange, using oil paint, water colour and inks and resin.
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| Cocomero and Tulip |
Friday, 5 August 2016
INDIA an exhibition of paintings at Heritage Courtyard, WELLS from August 11th
I have been working on making colour as high as possible to reflect those fabric colours that are seen in Gugerat and Rajasthan. I have been using inks, watercolours, and resin. AND I think I have succeeded in getting that brightness, using puppets as subject matter.
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| Lotus Cafe 40x30cms |
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| Kanjari Woman40x30cms |
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| Banjari Man40x30cms |
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| Bho[pa Woman 40x30cms |
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| Dungawar Hunt 30x40cms |
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| Pushkar Shepherd 30x40cms |
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| Bandit Queen 40x30cms |
Exhibition with Heather Jane Wallace open Tuesday through Saturday, 10am to 4pm
tel 07894701734
www.katenoble.co.uk
Tuesday, 26 April 2016
What We All Fear - new painting Arborization Goes Quickly
Arborization Goes Quickly
I dont know whether this painting explains itself well enough, the ageing brain, from images of atrophy of axioms at a course I did on introduction to neuroscience in Oxford recently, gradual loss of neurons, in Alzheimer's arborization goes quickly.
I dont know whether this painting explains itself well enough, the ageing brain, from images of atrophy of axioms at a course I did on introduction to neuroscience in Oxford recently, gradual loss of neurons, in Alzheimer's arborization goes quickly.
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| Arborization Goes Quickly 2016 oil on calico on board 120x100cms |
Saturday, 16 April 2016
Bath Society of Artists Annual exhibition 2016
Monday, 11 April 2016
Exhibition of 2 Painters at Red Brick Building, Glastonbury
The exhibition is up, and the opening was a great success. It was wonderful to see so many people there. Meanwhile, here are 2 unhung paintings, for which there was not enough space.
One could of course be a homage to Howard Hodgkin, whose Indian paintings I have found most inspirational.
I have now made the painting of the Woman at Udiaphur much more lively, and will send it in to the Millfield Open 2016. The paint surface now works with epoxy resin
One could of course be a homage to Howard Hodgkin, whose Indian paintings I have found most inspirational.
I have now made the painting of the Woman at Udiaphur much more lively, and will send it in to the Millfield Open 2016. The paint surface now works with epoxy resin
Saturday, 19 March 2016
Another India Painting, the Pink House at Poshina, Gugerat at dawn
I am having a show of my India paintings at the Red Brick Building in Glastonbury starting on April 5th, sharing it with Philippa Threlfall who has a fine line in nostalgic paintings of northern workers fro the 1960's, workers whose industries have in many cases now become defunct. Pure frustration at a painting not going well, so it became a Hodgkin Pastiche....
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| Hodgkin Pastiche, 2016 oil on calico on canvas 40x30cms |
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